Rehearsal Diary

This blog is a record of the rehearsal process of a production of Howard Brenton’s Anne Boleyn. The play is a part of The BRIT School theatre department’s Common Ground season. It will hopefully be a live resource for the actors in the company with contextual research and exercises undertaken through the process that the company can refer back to and add to.

Tuesday 16 October 2012

Rehearsal 2

Overview

  • Head, Heart, Guts and Groin
  • Rough Block Act 2
  • Contextual Research
The rehearsal started with a practical physical exercise that was aimed at allowing the actors an opportunity to make practical/physical explorations and decisions about character. This work focused on Head, Heart, Guts and Groin. We discussed what types of people and emotions we might associate with people who strongly identify their behaviour or characteristics with these areas of the body.


Head, intellectual/rational/imaginative 
Heart, loving/emotion/integrity/honesty
Guts, appetites/anger/aggression "gut instinct"
Groin, animalistic/sexual/survival

The actors explored moving with their focus on each of these body parts respectively exploring how 'leading' with each one could effect physicality, movement and voice.

In the same way as we had with Act 1 we began a rough block or 'walking read' of Act 2.

We finished the rehearsal with a sharing of some contextual research that the company had undertaken. We divided this roughly into Historical, Social, Political and Cultural, acknowledging throughout how many of the facts overlapped and encompassed several of these contexts at a time.

Some detail has been lost, but it gives an idea of some of the areas the
discussion covered and a useful prompt into more research.

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